Virtual Pose 2: The Ultimate Visual Reference Series for Drawing the Human Figure (Book & CD-Rom)
Mario Henri Chakkour
[PDF.gi65] Virtual Pose 2: The Ultimate Visual Reference Series for Drawing the Human Figure (Book & CD-Rom) Rating: 3.62 (572 Votes)
Virtual Pose 2: The Mario Henri Chakkour epub Virtual Pose 2: The Mario Henri Chakkour pdf download Virtual Pose 2: The Mario Henri Chakkour pdf file Virtual Pose 2: The Mario Henri Chakkour audiobook Virtual Pose 2: The Mario Henri Chakkour book review Virtual Pose 2: The Mario Henri Chakkour summary | #1611668 in Books | Design Books | 2001-02-25 | Original language:English | PDF # 1 | .57 x10.21 x10.27l, | File type: PDF | 80 pages | ||18 of 18 people found the following review helpful.| An outstanding visual reference|By M. Gondek|Any artist interested in portraying the human form knows how expensive model fees can be. Traditional pose books are often very good, but naturally show only one or two angles of the same pose. This can be especially frustrating for artists working in three dimensions, like I do. In this book/CD set, Chakkour has compiled 34|About the Author|Mario Henri Chakkour is an internationally established digital artist and an expert in the use of computers in art. He is the author of the book/CD ROM Painting with Computers.
Virtual Pose 2 is the second volume in what is fast becoming the ultimate visual reference series for drawing the human figure. For the professional and student artists, it's the next best thing to working with a live model - and a convenient option for amateur artists who have no access to studio sessions. Each volume includes an interactive CD ROM with 54 full-figure poses that the artist can rotate 360 degrees around the axis. The artist also has the ability to zoom i...
You can specify the type of files you want, for your device.Virtual Pose 2: The Ultimate Visual Reference Series for Drawing the Human Figure (Book & CD-Rom) | Mario Henri Chakkour. Which are the reasons I like to read books. Great story by a great author.
